I began the first draft of my first novel in 2002 and it took my 3 years to finish and longer to edit. I never got it published because I knew nothing of the publishing world and I wanted to learn about it before I tried to getting anything in the market. I learned publishing companies want writers to have a platform, which is one reason I started this Creative Writing blog.
I became aware of self-publishing and soon noticed it as not only a viable option, but a preferred one. So in the past year I had released three non-fiction books (The Gatsby Reader, Think Like A Writer, and My Plans For World Domination) and a novella (Firmament). I’ve written three additional novels, as well. I’ve decided to release these as self-published works as well. Last week I released my first novel, Siciliana.
As I finished polishing it up, I noticed some things I let slip, mostly the use of descriptions and details that may seem incidental but are vital to the story telling. After all, I haven’t read this in years, so it was good to be refreshed on a few things. One of the things I noticed was my use of scenic descriptions to illustrate a certain character.
The Home Of Don Albanese
Siciliana is set in during one week in October of 1909 on the Sicilian coastal town of Sciacca. It has Dons and vendettas, knives and guns, pasta and bread, and what you might imagine may be in a Sicilian novel. The descriptions of buildings, landscapes, and environments is something I usually avoid as superfluous fluff that adds nothing to the story. But a writer can use such descriptions as figures within the novel. For example take a look at the description of Don Albanese’s house:
At a parting in the fence, a sandy trail advanced towards the house. By the entrance stood a bare and barren ash tree. Two prominent branches reached up from the top of the trunk toward Heaven like two arms braced above one’s head. Nothing organic existed within the broken shade of the lifeless tree. Further up the way squatted a short quince tree. A well-dressed snake with an inexplicable knot in her tail lived amongst the branches. The serpent always smiled. Closer to the manse, a ring of pomegranate trees ascended. Countless sparrows flirted from one tree to another, singing amorous tunes in avian languages. A lonely cuckoo larger than the sparrows bounced from tree to tree, helping himself to anything he liked.
About Don Albanese Himself
This paragraph has plenty of details and all of them are symbolic of the man who lives there. Notice what we see in this scene: a dead ash tree, a quince tree, a snake, pomegranate trees, sparrows, and a cuckoo. These details have symbolic meanings that contribute to the development of Don Albanese even before we see him. The ash tree was thought to be three wood used for the cross of Jesus in medieval times. The quince was also then thought to be the forbidden fruit in paradise where the serpent beguiled Eve. Pomegranates were ancient symbols of fertility and sexual potency. Sparrows were birds given to pleasure and cuckoos take whatever they want.
So before we meet Don Albanese, notice what we can know about him. He is a spiritually dead man who gives himself over fully to all of his temptations and vices. He is particularly given to sexual lusts and will even take what he wants (or who he wants) to satisfy his bawdy appetite.
These are the sort of details that a good Creative Writer can provide to tell us about people and circumstances within their novels. You may want to practice these things so that you can develop this technique and use it in your work, just like all of the Masters did in their books, as well.
If you got something useful from this article, Share it with other writers who could also get some good from it. And if you have any Comments, please let me know what’s on your mind.